Pump up the volume
Somewhere / Nowhere
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Kris Trappeniers is an urban and stencil artist who currently resides in Belgium. Studied art history and advertising art at the academy of Leuven (SLAC).
Versatile and experimental approach to stencil, inspired by traditional Japanese papercuts (kiri-e), anti-pop culture in the eighties and the arts & crafts movement of the 19th century.Stencil and papercut design is based on small intricate ink drawings, often the stencil is used just once (as opposed to serigraphy), afterwards the pochoir is colored with acrylics and ttransforms into a decorative artwork itself. This cycle forces the artist to continuously come up with new designs and run through the cycle again.The process from drawing to finished work is completely analogue, without the use of software or photo filters. Some designs involve more geometrics, resulting in analog halftone designs with a ‘trompe l’oeil’ effect. 
His tumblr
                                             :)
cross-connect:

Kris Trappeniers is an urban and stencil artist who currently resides in Belgium. Studied art history and advertising art at the academy of Leuven (SLAC).
Versatile and experimental approach to stencil, inspired by traditional Japanese papercuts (kiri-e), anti-pop culture in the eighties and the arts & crafts movement of the 19th century.Stencil and papercut design is based on small intricate ink drawings, often the stencil is used just once (as opposed to serigraphy), afterwards the pochoir is colored with acrylics and ttransforms into a decorative artwork itself. This cycle forces the artist to continuously come up with new designs and run through the cycle again.The process from drawing to finished work is completely analogue, without the use of software or photo filters. Some designs involve more geometrics, resulting in analog halftone designs with a ‘trompe l’oeil’ effect. 
His tumblr
                                             :)
cross-connect:

Kris Trappeniers is an urban and stencil artist who currently resides in Belgium. Studied art history and advertising art at the academy of Leuven (SLAC).
Versatile and experimental approach to stencil, inspired by traditional Japanese papercuts (kiri-e), anti-pop culture in the eighties and the arts & crafts movement of the 19th century.Stencil and papercut design is based on small intricate ink drawings, often the stencil is used just once (as opposed to serigraphy), afterwards the pochoir is colored with acrylics and ttransforms into a decorative artwork itself. This cycle forces the artist to continuously come up with new designs and run through the cycle again.The process from drawing to finished work is completely analogue, without the use of software or photo filters. Some designs involve more geometrics, resulting in analog halftone designs with a ‘trompe l’oeil’ effect. 
His tumblr
                                             :)
cross-connect:

Kris Trappeniers is an urban and stencil artist who currently resides in Belgium. Studied art history and advertising art at the academy of Leuven (SLAC).
Versatile and experimental approach to stencil, inspired by traditional Japanese papercuts (kiri-e), anti-pop culture in the eighties and the arts & crafts movement of the 19th century.Stencil and papercut design is based on small intricate ink drawings, often the stencil is used just once (as opposed to serigraphy), afterwards the pochoir is colored with acrylics and ttransforms into a decorative artwork itself. This cycle forces the artist to continuously come up with new designs and run through the cycle again.The process from drawing to finished work is completely analogue, without the use of software or photo filters. Some designs involve more geometrics, resulting in analog halftone designs with a ‘trompe l’oeil’ effect. 
His tumblr
                                             :)
cross-connect:

Kris Trappeniers is an urban and stencil artist who currently resides in Belgium. Studied art history and advertising art at the academy of Leuven (SLAC).
Versatile and experimental approach to stencil, inspired by traditional Japanese papercuts (kiri-e), anti-pop culture in the eighties and the arts & crafts movement of the 19th century.Stencil and papercut design is based on small intricate ink drawings, often the stencil is used just once (as opposed to serigraphy), afterwards the pochoir is colored with acrylics and ttransforms into a decorative artwork itself. This cycle forces the artist to continuously come up with new designs and run through the cycle again.The process from drawing to finished work is completely analogue, without the use of software or photo filters. Some designs involve more geometrics, resulting in analog halftone designs with a ‘trompe l’oeil’ effect. 
His tumblr
                                             :)
cross-connect:

Kris Trappeniers is an urban and stencil artist who currently resides in Belgium. Studied art history and advertising art at the academy of Leuven (SLAC).
Versatile and experimental approach to stencil, inspired by traditional Japanese papercuts (kiri-e), anti-pop culture in the eighties and the arts & crafts movement of the 19th century.Stencil and papercut design is based on small intricate ink drawings, often the stencil is used just once (as opposed to serigraphy), afterwards the pochoir is colored with acrylics and ttransforms into a decorative artwork itself. This cycle forces the artist to continuously come up with new designs and run through the cycle again.The process from drawing to finished work is completely analogue, without the use of software or photo filters. Some designs involve more geometrics, resulting in analog halftone designs with a ‘trompe l’oeil’ effect. 
His tumblr
                                             :)
cross-connect:

Kris Trappeniers is an urban and stencil artist who currently resides in Belgium. Studied art history and advertising art at the academy of Leuven (SLAC).
Versatile and experimental approach to stencil, inspired by traditional Japanese papercuts (kiri-e), anti-pop culture in the eighties and the arts & crafts movement of the 19th century.Stencil and papercut design is based on small intricate ink drawings, often the stencil is used just once (as opposed to serigraphy), afterwards the pochoir is colored with acrylics and ttransforms into a decorative artwork itself. This cycle forces the artist to continuously come up with new designs and run through the cycle again.The process from drawing to finished work is completely analogue, without the use of software or photo filters. Some designs involve more geometrics, resulting in analog halftone designs with a ‘trompe l’oeil’ effect. 
His tumblr
                                             :)
cross-connect:

Kris Trappeniers is an urban and stencil artist who currently resides in Belgium. Studied art history and advertising art at the academy of Leuven (SLAC).
Versatile and experimental approach to stencil, inspired by traditional Japanese papercuts (kiri-e), anti-pop culture in the eighties and the arts & crafts movement of the 19th century.Stencil and papercut design is based on small intricate ink drawings, often the stencil is used just once (as opposed to serigraphy), afterwards the pochoir is colored with acrylics and ttransforms into a decorative artwork itself. This cycle forces the artist to continuously come up with new designs and run through the cycle again.The process from drawing to finished work is completely analogue, without the use of software or photo filters. Some designs involve more geometrics, resulting in analog halftone designs with a ‘trompe l’oeil’ effect. 
His tumblr
                                             :)
cross-connect:

Kris Trappeniers is an urban and stencil artist who currently resides in Belgium. Studied art history and advertising art at the academy of Leuven (SLAC).
Versatile and experimental approach to stencil, inspired by traditional Japanese papercuts (kiri-e), anti-pop culture in the eighties and the arts & crafts movement of the 19th century.Stencil and papercut design is based on small intricate ink drawings, often the stencil is used just once (as opposed to serigraphy), afterwards the pochoir is colored with acrylics and ttransforms into a decorative artwork itself. This cycle forces the artist to continuously come up with new designs and run through the cycle again.The process from drawing to finished work is completely analogue, without the use of software or photo filters. Some designs involve more geometrics, resulting in analog halftone designs with a ‘trompe l’oeil’ effect. 
His tumblr
                                             :)
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If you read one thing today, make it Rebecca Solnit on how we find ourselves by mastering the art of getting lost.
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UltraFragola MirrorBy: Ettore SottsassMaterial: ResinProduction Date: 1970Dimensions: 74 x 41.3 x 5.9 in
UltraFragola MirrorBy: Ettore SottsassMaterial: ResinProduction Date: 1970Dimensions: 74 x 41.3 x 5.9 in
UltraFragola MirrorBy: Ettore SottsassMaterial: ResinProduction Date: 1970Dimensions: 74 x 41.3 x 5.9 in
UltraFragola MirrorBy: Ettore SottsassMaterial: ResinProduction Date: 1970Dimensions: 74 x 41.3 x 5.9 in
UltraFragola MirrorBy: Ettore SottsassMaterial: ResinProduction Date: 1970Dimensions: 74 x 41.3 x 5.9 in
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Marta Malheureux
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“My Outfit is not asking for it”
A political drawing, Assignment 3 for Imaginative drawing class.
18x24
faber castell pens on bristol and illustration board
I cut out the letters of the words of “My Outfit is not asking for it “ and drew various outfits underneath it. This piece is about the ludicrous belief that a women’s or man’s outfit is an excuse for rape.
“My Outfit is not asking for it”
A political drawing, Assignment 3 for Imaginative drawing class.
18x24
faber castell pens on bristol and illustration board
I cut out the letters of the words of “My Outfit is not asking for it “ and drew various outfits underneath it. This piece is about the ludicrous belief that a women’s or man’s outfit is an excuse for rape.
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Georges Rousse is a world-renowned French artist and photographer born 1947 in Paris, where he currently lives and works.
Georges Rousse is unmistakably a photographer: his photographs are intrinsic to revealing his images, and deciding the composition, cropping and lighting and clicking the shutter are all essential to his process. But he is simultaneously a painter, sculptor, and architect, carrying out the same relationship to his worksites as a painter to his canvas, or a sculptor to his clay or marble.His raw material is Space: the space of deserted buildings. Taking his inspiration from a site’s architectonic quality and the light he finds there, he quickly chooses a “fragment” and creates a mise-en-scène, keeping in mind his ultimate goal, creating a photographic image. In these empty spaces, Georges Rousse constructs a kind of utopia that projects his vision of the world—his imaginary “universe.”
:)
Georges Rousse is a world-renowned French artist and photographer born 1947 in Paris, where he currently lives and works.
Georges Rousse is unmistakably a photographer: his photographs are intrinsic to revealing his images, and deciding the composition, cropping and lighting and clicking the shutter are all essential to his process. But he is simultaneously a painter, sculptor, and architect, carrying out the same relationship to his worksites as a painter to his canvas, or a sculptor to his clay or marble.His raw material is Space: the space of deserted buildings. Taking his inspiration from a site’s architectonic quality and the light he finds there, he quickly chooses a “fragment” and creates a mise-en-scène, keeping in mind his ultimate goal, creating a photographic image. In these empty spaces, Georges Rousse constructs a kind of utopia that projects his vision of the world—his imaginary “universe.”
:)
Georges Rousse is a world-renowned French artist and photographer born 1947 in Paris, where he currently lives and works.
Georges Rousse is unmistakably a photographer: his photographs are intrinsic to revealing his images, and deciding the composition, cropping and lighting and clicking the shutter are all essential to his process. But he is simultaneously a painter, sculptor, and architect, carrying out the same relationship to his worksites as a painter to his canvas, or a sculptor to his clay or marble.His raw material is Space: the space of deserted buildings. Taking his inspiration from a site’s architectonic quality and the light he finds there, he quickly chooses a “fragment” and creates a mise-en-scène, keeping in mind his ultimate goal, creating a photographic image. In these empty spaces, Georges Rousse constructs a kind of utopia that projects his vision of the world—his imaginary “universe.”
:)
Georges Rousse is a world-renowned French artist and photographer born 1947 in Paris, where he currently lives and works.
Georges Rousse is unmistakably a photographer: his photographs are intrinsic to revealing his images, and deciding the composition, cropping and lighting and clicking the shutter are all essential to his process. But he is simultaneously a painter, sculptor, and architect, carrying out the same relationship to his worksites as a painter to his canvas, or a sculptor to his clay or marble.His raw material is Space: the space of deserted buildings. Taking his inspiration from a site’s architectonic quality and the light he finds there, he quickly chooses a “fragment” and creates a mise-en-scène, keeping in mind his ultimate goal, creating a photographic image. In these empty spaces, Georges Rousse constructs a kind of utopia that projects his vision of the world—his imaginary “universe.”
:)
Georges Rousse is a world-renowned French artist and photographer born 1947 in Paris, where he currently lives and works.
Georges Rousse is unmistakably a photographer: his photographs are intrinsic to revealing his images, and deciding the composition, cropping and lighting and clicking the shutter are all essential to his process. But he is simultaneously a painter, sculptor, and architect, carrying out the same relationship to his worksites as a painter to his canvas, or a sculptor to his clay or marble.His raw material is Space: the space of deserted buildings. Taking his inspiration from a site’s architectonic quality and the light he finds there, he quickly chooses a “fragment” and creates a mise-en-scène, keeping in mind his ultimate goal, creating a photographic image. In these empty spaces, Georges Rousse constructs a kind of utopia that projects his vision of the world—his imaginary “universe.”
:)
Georges Rousse is a world-renowned French artist and photographer born 1947 in Paris, where he currently lives and works.
Georges Rousse is unmistakably a photographer: his photographs are intrinsic to revealing his images, and deciding the composition, cropping and lighting and clicking the shutter are all essential to his process. But he is simultaneously a painter, sculptor, and architect, carrying out the same relationship to his worksites as a painter to his canvas, or a sculptor to his clay or marble.His raw material is Space: the space of deserted buildings. Taking his inspiration from a site’s architectonic quality and the light he finds there, he quickly chooses a “fragment” and creates a mise-en-scène, keeping in mind his ultimate goal, creating a photographic image. In these empty spaces, Georges Rousse constructs a kind of utopia that projects his vision of the world—his imaginary “universe.”
:)
Georges Rousse is a world-renowned French artist and photographer born 1947 in Paris, where he currently lives and works.
Georges Rousse is unmistakably a photographer: his photographs are intrinsic to revealing his images, and deciding the composition, cropping and lighting and clicking the shutter are all essential to his process. But he is simultaneously a painter, sculptor, and architect, carrying out the same relationship to his worksites as a painter to his canvas, or a sculptor to his clay or marble.His raw material is Space: the space of deserted buildings. Taking his inspiration from a site’s architectonic quality and the light he finds there, he quickly chooses a “fragment” and creates a mise-en-scène, keeping in mind his ultimate goal, creating a photographic image. In these empty spaces, Georges Rousse constructs a kind of utopia that projects his vision of the world—his imaginary “universe.”
:)
Georges Rousse is a world-renowned French artist and photographer born 1947 in Paris, where he currently lives and works.
Georges Rousse is unmistakably a photographer: his photographs are intrinsic to revealing his images, and deciding the composition, cropping and lighting and clicking the shutter are all essential to his process. But he is simultaneously a painter, sculptor, and architect, carrying out the same relationship to his worksites as a painter to his canvas, or a sculptor to his clay or marble.His raw material is Space: the space of deserted buildings. Taking his inspiration from a site’s architectonic quality and the light he finds there, he quickly chooses a “fragment” and creates a mise-en-scène, keeping in mind his ultimate goal, creating a photographic image. In these empty spaces, Georges Rousse constructs a kind of utopia that projects his vision of the world—his imaginary “universe.”
:)
Georges Rousse is a world-renowned French artist and photographer born 1947 in Paris, where he currently lives and works.
Georges Rousse is unmistakably a photographer: his photographs are intrinsic to revealing his images, and deciding the composition, cropping and lighting and clicking the shutter are all essential to his process. But he is simultaneously a painter, sculptor, and architect, carrying out the same relationship to his worksites as a painter to his canvas, or a sculptor to his clay or marble.His raw material is Space: the space of deserted buildings. Taking his inspiration from a site’s architectonic quality and the light he finds there, he quickly chooses a “fragment” and creates a mise-en-scène, keeping in mind his ultimate goal, creating a photographic image. In these empty spaces, Georges Rousse constructs a kind of utopia that projects his vision of the world—his imaginary “universe.”
:)
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Jeff Koons - Woman in Tub

http://nowherelimited.com/jeff-koons-woman-in-tub.html
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cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Echo by Isabel M Martinez deals with the aspects of experience where the real, the known, and the imagined blend. Perception is a recurring theme within her work, and has become a foundation from which she explores ideas that reflect on notions of time, space, simultaneity, duration, and entropy. 
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Echo by Isabel M Martinez deals with the aspects of experience where the real, the known, and the imagined blend. Perception is a recurring theme within her work, and has become a foundation from which she explores ideas that reflect on notions of time, space, simultaneity, duration, and entropy. 
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Echo by Isabel M Martinez deals with the aspects of experience where the real, the known, and the imagined blend. Perception is a recurring theme within her work, and has become a foundation from which she explores ideas that reflect on notions of time, space, simultaneity, duration, and entropy. 
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Echo by Isabel M Martinez deals with the aspects of experience where the real, the known, and the imagined blend. Perception is a recurring theme within her work, and has become a foundation from which she explores ideas that reflect on notions of time, space, simultaneity, duration, and entropy. 
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Echo by Isabel M Martinez deals with the aspects of experience where the real, the known, and the imagined blend. Perception is a recurring theme within her work, and has become a foundation from which she explores ideas that reflect on notions of time, space, simultaneity, duration, and entropy. 
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Echo by Isabel M Martinez deals with the aspects of experience where the real, the known, and the imagined blend. Perception is a recurring theme within her work, and has become a foundation from which she explores ideas that reflect on notions of time, space, simultaneity, duration, and entropy. 
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